Before he became the arch-hack of Hollywood screenwriting (Showgirls,
anyone?), Joe Eszterhas, if his quasi-autobiographical Telling Lies in
America can be believed, was a teenage immigrant outcast in early-'60s
Cleveland adrift in the rock-and-roll-addled backwaters of the American Dream.
Directed by Guy Ferland, Lies does conjure the angst and atmosphere of
pre-Beatles teen culture and the peculiar agonies of coming of age in an
all-male Catholic high school. In its second half, however, it sinks into
half-baked clichés and platitudes.
Brad Renfro, as uncertain as his Hungarian accent, is Karchy, who hopes to
achieve popularity and success by acting as a gofer for Billy Magic (Kevin
Bacon in a grittily layered performance), the soiled and cynical DJ at a local
radio station. In fact, Karchy is the unwitting bagman for Billy's payola (even
Catholic high-school students in the '60s weren't that naive), and he
ultimately has to choose between surrogate dad Billy's glitz and real dad
Maximilian Schell's hoky straight-and-narrow. Uncompelling despite its
relentless goldie-oldie soundtrack, Telling Lies doesn't uncover any
truths.
--Peter Keough
Full Length Reviews
Telling Lies in America 
Telling Lies in America 
Telling Lies in America 
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