Gregory Hoblit's Fallen is the story of a good-hearted cop facing an
unfathomable evil. John Hobbes (Denzel Washington) has caught a deranged serial
killer named Edgar Reese (Elias Koteas). Just before Reese is executed, he
swears vengeance against Hobbes from beyond the grave. Then we watch as Reese's
evil spirit is passed along to his executioner through a touch. Eventually,
Hobbes determines that Reese was the host for Azazel, a "mortal demon." Azazel
can be killed, but it's no easy business because he can speed from person to
person through a series of touches. So before Hobbes can concoct a plan to trap
him, Azazel has done some really rotten stuff. At the end, you don't know if
the demon will show up as Hobbes' icy boss, Stanton (Donald Sutherland), or
beloved partner, Jonesy (John Goodman).
Well, Fallen is stupid enough in grand conception. I'm always irritated
at movies in which otherwise normal people agree to accept supernatural
explanations for things without so much as a chill running up their spines. But
this is a script that asks Hobbes to behave like an utter nitwit even as it
expects us to respect him. When a wave of copycat murders breaks out after
Reese's execution, and when the killer always calls to threaten Hobbes from the
murder site, most men, even most tough cops, would take a few precautions. In
contrast, Hobbes walks the streets of New York after midnight without looking
over his shoulder. I keep thinking he deserves tormenting.

John Hobbes (Denzel Washington, left, with John Goodman) should use his detective skills to find out just why he took a part in Fallen.
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Lots of movies like this require their heroes to behave stupidly, but
Fallen finds a variety of ways to irritate. It concocts an almost
thoroughly pointless subplot about Hobbes becoming a suspect in the copycat
killings. The sole purpose of this is to cast suspicion on Stanton, who's so
cold he makes your teeth chatter. But why? It's as if the filmmakers have
forgotten that we know who Azazel is and we know he's not Stanton, at least not
at the time of the copycat murders.
Most annoying is the script's glib decision to change its own rules. At first,
Azazel can only be transmitted by touch. But all of a sudden in the middle of
the picture, he can move from body to body without a touch. And we realize that
everything is a momentary contrivance. That's why Reese continues to act like a
homicidal maniac even after Azazel has passed into the executioner. That's why
Azazel stays in Reese for a series of murders and gets captured but later
switches hosts all the time. That's why Azazel doesn't kill Hobbes on the many
occasions that he could. That's why we even see the trick-ending coming a mile
away. Which is at least the distance you should keep from this one.
--Rick Barton
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