If you've seen all the Oscar-nominationed pictures, then the new one you
want to check out is writer/director Jake Kasdan's consciously quirky crime
tale, Zero Effect. It's the story of super sleuth Daryl Zero (Bill
Pullman), the renowned private investigator who solved The Case of the Man With
Mismatched Shoelaces and The Case of the Guy Who Lied About His Age. This
picture is one part offbeat comedy and one part brainy detective story. In
whole part, it's a delicious entertainment that leaves you grinning from ear to
ear.
Daryl Zero, as one of the film's slogans goes, is "the world's most private
detective." His unbending procedures include refusing ever to meet his clients.
He's outrageously expensive, and he never negotiates his fee. His methods are
unorthodox, but he's so good, he's sometimes able to solve his cases without
leaving his high-security Los Angeles apartment. Daryl is represented by his
full-time associate, a lawyer named Steve Arlo (Ben Stiller), whose attitude
toward his boss vacillates from awe to contempt. Steve serves as Daryl's field
assistant and liaison with clients. He's a pretty smart guy himself, but he
never does figure out what Daryl is up to.
Daryl's current job is The Case of the Missing Keys. Oregon timber tycoon
Gregory Stark (Ryan O'Neal) has lost his keys to a safety deposit box, the
contents of which he refuses to divulge. Meanwhile, in a development that may
or may not be related, Stark is being blackmailed on charges of having raped a
woman many years ago when he was a Harvard undergraduate. He doesn't know the
identity of his blackmailer. Intrigued, Daryl agrees to accept the case and
even, reluctantly, to leave his apartment. Soon, employing a variety of
disguises and techniques, Daryl is ferreting out the relevant details of
Stark's life and current dilemma. "My work relies on two basic principles,"
Daryl says, "objectivity and observation, or the two 'obs,' as I call them." In
The Case of the Missing Keys, however, Daryl's objectivity gets clouded by an
unprecedented development: he falls for the woman, Gloria Sullivan (Kim
Dickens), who just might be the blackmailer.

In Zero Effect, Daryl Zero (Bill Pullman, left) and Steve Arlo
(Ben Stiller) reprise a familiar entertaining partnership.
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A lesser writer would have turned this material into a sequel for The
Naked Gun or The Pink Panther. But filmmaker Kasdan makes no use of
physical comedy and never goes for the cheap laugh. As a result, Zero Effect
offers a freshness we seldom get from a mainstream Hollywood feature, even
one like this with a narrow release strategy. And yet, in significant regard,
Daryl Zero is actually a canny modernization of that king of sleuths himself,
Sherlock Holmes. Kasdan never strives to point up this comparison, but it's
notable that like Holmes, Daryl has a trusty assistant, Watson become Arlo,
doctor become lawyer. Both detectives are able to deduce huge patterns of
behavior from seemingly insignificant physical details. And also like Holmes,
Daryl has a troubled private life. Holmes is a melancholic coke-head; Daryl is
an agoraphobic neurotic.
I might complain that Kasdan's script stumbles a bit when it has Daryl make
most un-Daryl-like mistakes: he identifies himself as first an architect and
then an accountant to people who know and talk to each other. And after
claiming to save all his receipts, he blatantly leaves one on a table top. And
like the great Holmes, Daryl's logical leaps work better taken on faith than
when too carefully examined. But there's so much to like here. Pullman gives a
virtuoso performance, and Dickens makes her plainness very nicely appealing. Do
give this one a look. It's the best film I've seen in six weeks.
--Rick Barton
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