Air Force One

Memphis Flyer

DIRECTED BY: Wolfgang Petersen

REVIEWED: 08-04-97

The best thing Air Force One has going for it is the relentless pace that director Wolfgang Petersen sustains for the film's entire 120 minutes. Having come to international critical attention with Das Boot, a powerful dramatization of the psychology of claustrophobia among a submarine crew, and more recently directing In the Line of Fire, a thriller in which Clint Eastwood's taciturn Secret Service agent must outwit, and outpace, a psychopathic would-be assassin played by John Malkovich, Petersen has become something of a master at purveying the triumph of quiet heroism over the stomach-wrenching terror of twisted psyches in tight places. He was a natural choice to helm this film, in which the president of the United States (Harrison Ford), his family, and several senior officials and staff are hijacked in Air Force One by a band of rabid terrorists (led by Gary Oldman) -- and he was a fortunate choice. Petersen's handling of this big-budget summer thriller nearly makes up for a very superficial script by Andrew W. Marlowe.

President John Marshall is a Mr. Smith Goes To Washington leader-of-the-free-world who departs from scripted policy speeches to commit in public to doing "the right thing, the moral thing." He might be a Ronald Reagan except for the fact that his daughter (Liesel Matthews) respects and adores him, his wife (Wendy Crewson) has a hairdo that moves, and he's an American with whom almost all Americans seem to be comfortable -- Harrison Ford. The focus of the film is so elementarily good guy/bad guy Ford isn't given all that much to play. But as he nearly single-handedly wrests the aircraft from Oldman's gang of Russian neo-nationalist whackos, Ford's guy-next-door factor and worn good looks do their minimalist screen magic.

Oldman's performance as the terrorist struggles free of the script's cliches; its menace festers unpredictably with irrational zealotry. Director Petersen also effectively deploys a fine supporting cast to enhance the film's suspense. He very wisely gives Glenn Close, playing the vice president, a number of close-ups, and in only a few very undernourished, very banal scenes, she is able to do more with her eyes than many a lesser actor might achieve in a full-blown, two-hour, lead performance.

The High Noon-ish patriotism of Air Force One is so shallow and oversimplified that it scarcely bears examination. It does, however, provoke one thought that's hard to dislodge. The president of the United States is paid $250,000 a year to do the job. Harrison Ford was paid nearly 100 times that for playing the president for a shooting schedule of less than two months.

What's wrong with that picture of patriotism?

--Hadley Hury

Full Length Reviews
Air Force One
Air Force One
Air Force One
Air Force One
Air Force One

Capsule Reviews
Air Force One

Other Films by Wolfgang Petersen
Das Boot
Outbreak

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