The best thing Air
Force One has going for it is the relentless pace that
director Wolfgang Petersen sustains for the film's entire 120
minutes. Having come to international critical attention with Das
Boot, a powerful dramatization of the psychology of
claustrophobia among a submarine crew, and more recently
directing In the Line of Fire, a thriller in which Clint
Eastwood's taciturn Secret Service agent must outwit, and
outpace, a psychopathic would-be assassin played by John
Malkovich, Petersen has become something of a master at purveying
the triumph of quiet heroism over the stomach-wrenching terror of
twisted psyches in tight places. He was a natural choice to helm
this film, in which the president of the United States (Harrison
Ford), his family, and several senior officials and staff are
hijacked in Air Force One by a band of rabid terrorists (led by
Gary Oldman) -- and he was a fortunate choice. Petersen's
handling of this big-budget summer thriller nearly makes up for a
very superficial script by Andrew W. Marlowe.
President John Marshall
is a Mr. Smith Goes To Washington leader-of-the-free-world who
departs from scripted policy speeches to commit in public to
doing "the right thing, the moral thing." He might be a
Ronald Reagan except for the fact that his daughter (Liesel
Matthews) respects and adores him, his wife (Wendy Crewson) has a
hairdo that moves, and he's an American with whom almost all
Americans seem to be comfortable -- Harrison Ford. The focus of
the film is so elementarily good guy/bad guy Ford isn't given all
that much to play. But as he nearly single-handedly wrests the
aircraft from Oldman's gang of Russian neo-nationalist whackos,
Ford's guy-next-door factor and worn good looks do their
minimalist screen magic.
Oldman's performance as the terrorist
struggles free of the script's cliches; its menace festers
unpredictably with irrational zealotry. Director Petersen also
effectively deploys a fine supporting cast to enhance the film's
suspense. He very wisely gives Glenn Close, playing the vice
president, a number of close-ups, and in only a few very
undernourished, very banal scenes, she is able to do more with
her eyes than many a lesser actor might achieve in a full-blown,
two-hour, lead performance.
The High Noon-ish patriotism of Air
Force One is so shallow and oversimplified that it scarcely
bears examination. It does, however, provoke one thought that's
hard to dislodge. The president of the United States is paid
$250,000 a year to do the job. Harrison Ford was paid nearly 100
times that for playing the president for a shooting
schedule of less than two months.
What's wrong with that picture of
patriotism?
--Hadley Hury
Full Length Reviews
Air Force One 
Air Force One 
Air Force One 
Air Force One 
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Capsule Reviews
Air Force One 
Other Films by Wolfgang Petersen
Das Boot 
Outbreak 
Film Vault Suggested Links
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