This is
one kick-ass movie.
Never mind that theres almost no character development, or that
a couple of scenes stretch credulity to the breaking point (fistfights
in the open cargo bay of an airborne 747 yeah, right). This
film works because its exactly what it sets out to be an expertly
crafted action thriller and doesnt aim for anything else. In
the hands of director Wolfgang Petersen, Air Force One grabs you
with the opening scene and doesnt let up until the final frame.
Aside from shrewd direction, the movie benefits from near-perfect
casting. As James Marshall, Harrison Ford is the man we all wish
we could have elected President of the United States. The Medal
of Honor he earned in Vietnam makes him acceptable to conservatives,
and he won the support of liberals by choosing a female vice president
(Glenn Close). Moreover, he dares to do to a Kazakhstan tyrant
what many Americans believe Clinton should do to Saddam Hussein.
But Marshall paints himself into a corner when he announces, during
a speech in Moscow, that the United States will never negotiate
with terrorists. Wouldnt you know it, immediately afterward his
plane is hijacked by Russian radicals who demand the release of
their imprisoned hero, the fascist General Radek. Marshall cant
acquiesce, so his only alternative, it seems, is to watch these
fanatics systematically shoot his family and Cabinet members.
Ah, but the terrorists, led by the zealot Ivan Korshunov (a dangerously
intense Gary Oldman), didnt count on the dogged resourcefulness
of this president. The two clever men engage in a cat-and-mouse
game in the claustrophobic belly of the airplane (reminiscent
of Petersens 1981 submarine drama Das Boot). Oldman is a convincing
Russian, and Ford does his best acting without saying anything
at all.
Back at the White House, Close is equally impressive as a V.P.
whos both intuitive and strong. When Korshunov tries to bait
her with sexist comments, she pretends not to hear, and when the
Secretary of Defense (Dean Stockwell) tries to pull an Al Haig-like
takeover, she resists. Though she has little to do but sit in
a conference room and give orders, Close gets maximum mileage
out of every line.
Actors of this caliber keep Air Force One from descending into
cartoonland, despite the wham-bang special effects and occasional
comic-book-level dialogue (i.e., the now-classic Get off my plane!).
And the smart pace will keep you Super-Glued to your seat for
two hours. Its definitely a flight worth taking.