The Last Days of Disco

Memphis Flyer

DIRECTED BY: Whit Stillman

REVIEWED: 06-22-98

Whit Stillman’s The Last Days of Disco is the third film in the writer/director’s trilogy, fitting somewhere between Metropolitan and Barcelona. The setting is the very early ’80s, just as disco is making its last gasps and a clique of newly minted professionals is feeling its way through relationships and making the rounds at an exclusive dance club.

Alice (Chloe Sevigny) and Charlotte (Kate Beckinsale) are roommates and poorly paid workers at a publishing house. Charlotte, haughty and with a little bit too much carnal knowledge, declares this a new era and proceeds to give the more stable and pure Alice advice that leads to get her getting dumped. Among their paramours are Harvard boys Des (Chris Eigeman), a snearing nightclub worker; Josh (Matt Keeslar), a manic-depressive assistant district attorney, who can wax poetic about The Lady and the Tramp; and Jimmy (Mackenzie Astin), an ad man scorned because he is an ad man.

As a character says toward the end of the movie, “To thine own self be true,” Stillman is true to a pattern he established in the first two films. The Last Days of Disco plays as if it could end at any time or go on forever (and sometimes it feels like it might). What happens is not as important as the characters who are drawn and what they say. There are the good guys and the bad guys. Sevigny is beguiling as the former, and as the latter, the hilarious Eigeman has made being a creep an art form in this, his third appearance in the trilogy. In this turn, he dumps women and garners sympathy from them at the same time by telling them he’s gay. He says, “Wednesday was gay day,” and explains that his sexuality occurred to him while watching Mutual of Omaha’s Wild Kingdom.

Even with its hopeful ending, there’s a bleak tinge to The Last Days of Disco. Charlotte’s right that this is a new era, but it’s not the one she thought it to be, and it’s one that the characters will enter a little bruised. But it’s a Stillman-style cynicism that’s very funny – a series of near one-liners – where what is assumed is almost always true.

--Susan Ellis

Full Length Reviews
The Last Days of Disco
The Last Days of Disco

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The Last Days of Disco

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