A Life Less Ordinary
seems like a strange, perhaps daring, followup by the makers of Shallow
Grave and Trainspotting.
It stars Ewan McGregor as Robert, an aspiring writer
who's just been fired from his job as a janitor at a big corporation. To
add insult to injury, his girlfriend dumps him and he gets evicted from
his apartment. But Robert's ills, it turns out, are part of a bigger scheme.
So big, in fact, that it's been sent from above in the form of two angels
Jackson (Delroy Lindo) and O'Reilly (Holly Hunter), who've been ordered
to have Robert and Celine (Cameron Diaz), the spoiled daughter of his ex-boss,
fall in love.
Director Danny Boyle, producer Andrew Macdonald, and writer John Hodge have decided
to take on the screwball comedy. If one thing can be said about A Life
Less Ordinary, it certainly is screwy. The sheer quirkiness factor crashes
through the roof, making the picture oddly likable but not altogether successful.
The angels have Robert and Celine's paths cross
at her father's office. As Celine is being chided by her father and threatened
with the prospect of getting a job, Robert breaks in and demands his job
back. One thing leads to another and Robert winds up with a gun to Celine's
head and dragging her out to a secluded cabin. Celine, who's been kidnapped
before, tutors her all-thumbs captor on the fine points of the game -- how
to write a ransom note in her own blood, what tone to take when making threatening
calls, etc. Meanwhile, Jackson and O'Reilly have been hired by Celine's
father to get his daughter back and kill Robert.
Diaz gives what may be considered her best performance
yet. She handles some tricky dialogue well and shows a good ear for timing.
For his part, McGregor is dumb-lug-ishly charming. As the angels, Delroy
is good as the straight man, but Hunter is really stretching it as the multi-voiced
romantic. So mix these characters together, add a little bit of violence,
take away the filmmakers' patented manic, music-video style, and throw in
a fantasy dance sequence, karaoke, and an off-kilter mountain man, and you've
got something that never quite clicks. Though Boyle et al should
get some credit for giving it a shot, with A Life Less Ordinary's
heavenly bent and too-cute ending, it's just too much to ask.
--Susan Ellis
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Other Films by Danny Boyle
Shallow Grave 
Trainspotting 
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