WHEN I WAS LITTLE, I ONCE found a dead
bird and tried to bring it back to life. From what I understood,
such a thing was possible -- after all, Jesus came back after
three days in the grave, didn't he?
A child's struggle to
make sense of death is the subject of Ponette, a
remarkable French film that tells its story entirely from the
viewpoint of a 4-year-old girl. After her mother is killed in a
car accident, Ponette (Victoire Thivisol, who won Best Actress at
the 1996 Venice Film Festival for her uncanny performance), has
difficulty believing that death is permanent. In order to
comprehend death, she also has to figure out how God operates,
making her task doubly hard. Getting no support from her father,
who tells her to knock off the God crap and live in the real
world, Ponette tries various tactics to reach her dead mother and
talk to her. At the boarding school she attends, a know-it-all
classmate tells Ponette she must pass several tests of bravery in
order to become a "child of God," which would then
enable her to contact her mother. Other children offer her magic
spells they believe will conjure up the dead. When none of these
methods work, Ponette finally runs off to the cemetery, finds her
mother's grave, and begins digging up the dirt with her hands,
screaming, "Mommy! I'm here!" But despite this
harrowing scene, eventually she finds the strength to endure the
pain and go on with her life.
To emphasize the smallness of a child's
world, director Jacques Doillon shot most of the film in very
tight closeups. The camera appears to be only inches away from
these kids, yet they behave so naturally that they seem unaware
of its existence. Doillon spent months taping preschoolers in
order to write authentic-sounding dialogue, and as a result the
script is full of those marvelously bizarre utterances that only
a 4-year-old could come up with. These kids aren't dumb, but
since they've never been told much about concepts like death,
they come up with their own theories to explain what's happening.
Ponette is exceptional because it respects children for
who they are and acknowledges that their inner life is every bit
as valid as our own.
--Susan Ellis
Full Length Reviews
Ponette 
Film Vault Suggested Links
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Flor de mi Secreto, La 
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