The 1994 assassination of Mexican presidential candidate Luis Donaldo Colosio shook
Mexico like few political events. Its an easy comparison to John F. Kennedys
murder, considering how few Mexicans believe the single-assassin theory, even though the
Mexican government wasnt able to prove much more than that.
In fact, Mexico is a bigger breeding ground
for wild political rumor than the United States, given the corruption and secrecy the
government has displayed for generations. And there has been no better victim to spark
outrageous theories than Colosio. A reformer, he was the peoples candidate. Given
Mexicos internal turbulence, its doubtful if Colosio would have ever created a
Hispanic Camelot, but, having died before ever having the chance to screw up, his legend
has been sealed by his murderer.
Mix innuendo, reality, and a storyline, and
create a political movie. Single Action is Mexicos JFK, although director Carlos
Gallardo makes it clear in an introduction that he doesnt purport to represent
reality. There are many stories about how the assassination took place, the
text reads. This is one of them. The most interesting scene in the film,
however, occurs before the credits, involving viewer speculation about how many bullets it
will take before an obese Mexican guy takes a fatal crash to the floor. The clod was
caught in the crossfire between some outlaws including attractive, gun-toting
Mexican women and agents from the Mexican government, though this isnt
explained until later.
This is a bad film. The movies been
dubbed instead of subtitled, which makes the actors cartoonish (voice-overs cannot handle
cliched dialogue). The story is set in a small, poor town which is ruled by Camaro (Oscar
Castaneda), a leader of a Mexican organized crime group. A man named Colonel Manco (Miguel
Gurza) watches from a window, waiting for his opportunity to prove that this nefarious
Camaro played a key role in the assassination. But he is powerless until director-actor
Gallardo appears as the undercover government agent sent to unravel everything.
Even if you ignore the poor editing and
awful script, Gallardo ruins the movie by his presence. A baby-faced man of medium build
should not be allowed to chomp on a tiny, unlit cigar and spout lines that most directors
would reserve for Clint Eastwood.
Maybe this movie went over well in Mexico.
It couldnt have addressed a more relevant topic there. But in America, its a terrible translation.