In Twilight, Paul Newman and
director/writer Robert Benton team up again. Their last pairing was on 1994s
Nobodys Fool, in which Newman played a charming neer-do-well, a role that
earned him an Oscar nomination for best actor. Twilight, though, is definitely seamier,
and Newmans part as a battered former cop and retired private eye has more edge.
Newman plays Harry Ross, a
man with a history of helping his friend Jack Ames (Gene Hackman) and his wife Catherine
(Susan Sarandon). On one tour of duty Harry got shot while fetching Ames 17-year-old
daughter back from Mexico. Since then, Harry has become the Ames permanent
houseguest, playing cards with Jack and soaking in Catherines sultry voice.
The Ames, as actors, are Hollywoods
elite. The type who own a pair of million-dollar homes crammed with finery and complain
that they are broke. They also expect to get away with things, and they do. But now that
Jack is getting older, his luck is running out. Hes got cancer and hes got a
blackmailer who wants hush money for a 20-year-old incident. Thats when Jack calls
on Harry for a favor. He wants Harry to deliver a package and make sure it gets into the
right hands. When Harry grudgingly goes to the appointed meeting place, hes met by a
wheezing, gun-wielding man whos been shot in the gut. Harry recognizes him as an old
crony from the police force and heads to the mans house to figure out whats
happened. There, Harry is nabbed by the cops, including his onetime partner and former
lover Verna (Stockard Channing).
After hes released, Harry continues
to investigate and discovers something he may have known all along that the
Ames bond goes deep and their loyalty has an intensity that could be deadly.
While this sort of love-triangle,
film-noirish style is nothing new, approaching it from a more mature standpoint is
refreshing. James Garner plays Raymond Hope, a tough former cop and private problem-fixer.
Only, because of his age, Hopes not as tough as he would like to be. Its not
every movie that the badass discusses prostate problems.
Newman, Hackman, and Sarandon are all
seasoned pros. They allow the certain vulnerabilities of age (sickness, wrinkles) to
inform their work, and theyre able to build up a certain amount of sexual steam
among them. Sarandon is especially effective as the actress trying to play innocent
you can see the deceit behind her eyes.
--Susan Ellis
Full Length Reviews
Twilight 
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Capsule Reviews
Twilight 
Twilight 
Other Films by Robert Benton
Nobody's Fool 
Film Vault Suggested Links
Kiss of Death 
Diabolique 
A Perfect Murder 
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