John Landis' 1980 movie The Blues Brothers was a comedy
that rang down the curtain on the '70s. A deadpan parody of
car-crash-o-ramas like Cannonball Run, it starred two original Not
Ready for Prime Time Players in roles they originated on Saturday Night
Live. All the symbols of the decade got run through the irony mill.
So when John Landis and Dan Aykroyd sat down to write Blues Brothers
2000, why did they decide to remake the original, right down to the
retread plot? And why did they bring back characters from the original in
purely in-joke roles? In short, why didn't they update the
franchise, as the millennium-anticipatory title suggests? As it stands,
Blues Brothers 2000 is a mule of a movie--a parody of a parody,
self-referential, sterile, and almost at a standstill.
I'm probably the target audience for the sequel, since the original
still holds a cult appeal for me. (Friends often hear me mutter, "Orange
whip? Orange whip? Three orange whips.") All I could get out of
BB2K, however, were the terrific musical performances (when unmarred
by Aykroyd or John Goodman). During the long, slow progress of the plot,
one can amuse oneself by spotting musical legends and praying for their
continued health. R&B god Junior Wells looks spectral (and indeed he
expired before the film's release), while Sam Moore and Wilson Pickett
perform with encouraging liveliness.
The best way to see Blues Brothers 2000 is to stand outside the
theater doors reading a good book, then enter whenever you hear music.
Suggestion for Landis and Aykroyd: Next time, skip the concept and just
film the concert.