The true measure of a star is his
ability to transform ordinary material into movie magic. James Stewart's presence
in this routine crime-drama gives a plain film a complex core. Once again,
he's a reporter, working courtrooms instead of ballrooms, and he's tasked
to help prove the innocence of a man jailed for murder. The film unfolds in
the step-by-step "documentary realism" style that was popular in the late
'40s, but Stewart's driven performance belies the story's inert pacing,
turning a sober film into a vibrant, exciting one.
--Noel Murray
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