Parents who are tired of taking their kids to see the same
formulaic, focus-group-tested children's movies should welcome The
Education of Little Tree with open arms. Unlike standard kids' fare, which
expunges every hint of controversy (and therefore of reality), this story
brings to life moral and historical questions without resorting to
preaching. It's the kind of movie parents should see with their
children--and be prepared to answer questions about later.
Based on the award-winning novel by Forrest Carver, the film tells the
story of an orphaned 8-year-old boy, Little Tree, whose white grandfather
and Cherokee grandmother take him to the Great Smoky Mountains in 1935.
Grandpa (James Cromwell) enlists the boy's help in the moonshine business,
while Grandma (Tantoo Cardinal) and her Cherokee friend Willow John (Graham
Greene) teach him about their tribe's history and ways. Although the
mountain abounds with revenuers and rattlesnakes, the real danger is the
government, which wants to erase the Indian culture. Little Tree is sent to
an Indian school where the students are forbidden to speak any language but
English and are punished for knowing the mating habits of deer.
Our self-analyzing culture has trouble dealing with moral ambiguity and
avoids explaining shades of gray to youngsters, but these situations give
The Education of Little Tree its ring of truth. To Grandpa, his
lawbreaking is justified because of unjust taxes; to Willow John,
resistance to authority carries on the noble tradition of the Trail of
Tears. The film's most suspenseful moment comes when Little Tree screams to
his unseen jailers at the Indian school that he's sorry for the deed that
caused his punishment, even though he doesn't know what he did. Will he
forget his heritage and name to save himself, or does he realize that more
is at stake?
Adult audiences may quibble with the film's anti-authoritarian
tendencies (a bombastic senator is an early figure of fun), and they may
disagree with the implicit values of Little Tree's upbringing. But these
are not reasons to avoid the film; they are opportunities to have
conversations about it outside the theater. Whatever the shortcomings of
the film's worldview, it achieves a rare consistency and conviction in
communicating that worldview to its audience; in an era of hedged bets at
the theater, that alone is laudable.
Children may not understand or appreciate these subtleties at a
conscious level right away, but the movie will stick with them as one of
those special occasions when something truthful about the world breaks into
their sheltered upbringing. Anastas Michos' beautiful photography of
endless, misty hills arouses in the viewer the youthful wish for a secret,
untouched place of perfect peace. The moving ending to The Education of
Little Tree acknowledges that physical places house the soul, but also
that growing up means learning to carry one's secret place into an alien
land. After watching the film, your child may feel a little braver about
her own journey into the future.