The title speaks volumes. Writer-director James
Mangold's debut film is about a heavy man--a self-conscious short-order
cook (Pruitt Taylor Vince) who lives and works alongside his overbearing
mother (Shelley Winters). This is also a heavy film--a near-silent
meditation on loneliness and grief. Mangold, who went on to make the
overwrought Copland, stripped this film of all unnecessary dialogue
and exposition, putting his focus instead on the reactions of his lead.
Vince does not let Mangold down. He's often painful to watch, as he
torturously contemplates what to say to the people who belittle him. He's
too shy even to acknowledge when a family member has died, preferring to
keep the departed's last breakfast intact and uneaten on his kitchen table.
When he finally does mourn--over a box of Entemann's doughnuts that he has
hidden in a supply closet--the noiseless blubbering is enough to break your
heart.
--Noel Murray
Capsule Reviews
Heavy 
Other Films by James Mangold
Cop Land 
Film Vault Suggested Links
Raging Bull 
Days of Heaven 
Bright Lights, Big City 
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