Having succumbed to exhaustion from
fighting the powers that be, director Alex Cox (Repo Man, Sid &
Nancy) made this modest comeback film in 1994, which plays like the
metaphoric autobiography of an exiled survivor. The title character is
Pedro (Roberto Sosa), a Mexican cop entrusted with upholding law and order
through a set of rigid rules: Ticket quotas must be maintained,
unquestioning loyalty to the force is essential, and citizens, regardless
of the circumstances, "have always broken the law." Pedro, feeling more
sympathy with the criminals than with the law, begins taking bribes in
exchange for transportation permits and enacts a plan to take from the rich
and give to the poor. The director's feat here is no less audacious:
Spurning the industry clout generated by his former cult hits, the British
Cox used a largely Mexican crew to make this modestly budgeted
Spanish-language feature. The film's DIY ethos is captured by a road sign
in the final shot that reads, "Paying Taxes is Participating." Like Pedro,
Cox knows the consequences of working within the system and, commendably,
he's having none of it.
--Rob Nelson
Other Films by Alex Cox
Repo Man 
Film Vault Suggested Links
The Last Seduction 
Laws of Gravity 
American Buffalo 
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