Hope Floats

Nashville Scene

DIRECTED BY: Forest Whitaker

REVIEWED: 06-15-98

Hope Floats opens with a biting piece of satire--a Ricki Lake-esque talk show on which Sandra Bullock is informed that her husband has been sleeping with her best friend. The live studio audience hoots while Bullock tries to put on a brave face; in the audience, her 8-year-old daughter (Mae Whitman) sobs uncontrollably. Soon enough, the two of them move back to the small Texas town where Bullock grew up. While Bullock contemplates a new romance with Harry Connick Jr. and tries to ignore the gossip of all the townsfolk who resent her days as a local beauty queen, her kid deals with a new school, new friends, and the absence of her beloved father.

Directed competently, if not especially stylishly, by Forest Whitaker, Hope Floats is routine soaper material, and the attempts at "eccentric" local color--a taxidermist mother (Gena Rowlands) who talks in aphorisms, a boy who likes to dress up as animals--play like they were ripped from the script of a failed sitcom pilot. Also, the movie hinges on a spurious premise: that people secretly hope for the comeuppance of their more popular high-school classmates (as if anyone still thinks about them at all). But Whitman almost makes the film worth seeing; her reactions to the heartbreak and silliness around her have a genuine quality that the rest of the film cannot muster.

--Noel Murray

Capsule Reviews
Hope Floats

Other Films by Forest Whitaker
Waiting to Exhale

Film Vault Suggested Links
Living Out Loud
Show Me Love
Practical Magic

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