A good children's movie is hard to find, as every year's crop of
would-be kiddie classics proves. Madeline has it tougher than most,
since it's aimed at children who haven't graduated from picture books yet,
and whose attention span runs about the length of a bedtime story. Keeping
this audience fidget-free for almost two hours of gentle storytelling is,
by all indications, an insurmountable challenge.
As the red-haired, straw-hatted Parisian girl Madeline, little Hatty
Jones is adorable and full of spunk. She gets into storybook situations
like trips to the art museum, the circus, and the Seine (the last being
rather a damp one). She's brave when she has her appendix out and takes the
lead in mischief-making at her school. But unfortunately, she has to face
scenarios dreamed up by movie-makers in addition to those imagined by her
creator, Ludwig Bemelmans--and movie-makers like the conflict provided by
bumbling crooks, a kidnapping plot, a car chase, and the threatened sale of
Madeline's school.
These attempts to provide enough conflict to keep kids interested
throughout the whole movie come off as clichd and tacked on. No matter how
beautiful the locations or commanding the supporting performances (by
Frances McDormand as Miss Clavel and Nigel Hawthorne as Lord Covington), no
movie with this much filler can hold onto its young audience.
Madeline might have more impact on home video, without the
distractions of bored seatmates. For now, even its young target audience
will enjoy Mulan more; or better yet, rent A Little Princess
and see exactly how a good story can quiet down your kids for hours at a
time.
--Donna Bowman
Capsule Reviews
Madeline 
Madeline 
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