The romantic comedies we fall in love with have simple premises
and complex characters. There's a reason the formula goes "boy meets girl,
boy loses girl, boy gets girl back"--three acts, no waiting. The stories
are thin precisely so the characters have room to display the full range of
their personalities and put us under their spell. We want to nudge Cary
Grant into Irene Dunne's bedroom in The Awful Truth; we want Julia
Roberts to hold out for her fantasy in Pretty Woman.
The Object of My Affection is based on a novel by Stephen
McCauley and has a novel's surfeit of incident. It's crowded with events
and crises, and as a result, the protagonists, Nina and George (Jennifer
Aniston and Paul Rudd), never get a chance to turn on the tractor beam of
attractiveness. Nina's dissatisfaction with her boyfriend Vince (John
Pankow) leads to a deepening friendship with her gay roommate George.
Discovering she's pregnant, Nina enlists George to help her raise the
child, playing on his affection for her and on his desire for the ordinary
pleasures of childhood. But when George tries to have a normal love life,
he provokes Nina's jealousy.
Good ideas abound in the screenplay by Wendy Wasserstein: that a family
need not happen biologically but can be constructed by choice, like a kit;
or that gay relationships suffer from a stigma of impermanence because
marriage is not an option. These dramatic situations are garnished with
throwaway jokes about pretentious A-list New Yorkers, personified by Nina's
stepsister and her literary-agent husband (Allison Janney and Alan Alda).
In fact, the comedy is only an occasional fillip on an essentially dramatic
storyline, leaving Aniston's most potent talent undisplayed.
Aniston and Rudd have little chemistry, comic or otherwise, and thus
have to spend too much time going through the plot's various wringers to
develop any character. Their goofy amiability never becomes radiant charm,
and perhaps some of the fault can be laid at their rather lightweight
skills. Nigel Hawthorne arrives about halfway through The Object of My
Affection, playing a drama critic plagued by unrequited love; his
sober, poignant presence lends a dignity and wisdom to the film in just a
few short scenes. Now there's an actor, and a character, who could
anchor a romance and inspire undying affection.