It's criminal how the success or
visibility of a movie depends so much on a release date. Oscar and
Lucinda, directed by the acclaimed Gillian Armstrong, would seem to
have been a natural for arthouse success; but it was released sporadically
at the end of 1997 for Oscar consideration, then limped into a few theaters
at the start of 1998 while critics were preoccupied with Titanic,
As Good As It Gets, and Good Will Hunting. And just what did
the zeitgeist miss? A poignant, haunting period tale of unrequited romance,
wherein a gambling-addicted Anglican minister (Ralph Fiennes) wagers that
he can transport a glass church across the Australian outback to prove his
devotion to a wayward Sidney socialite. The film's novelistic origins are
betrayed by some loose ends and awkward subplots, but what sticks with the
viewer is the way the plot twines across decades without ever losing the
intimate detail. Also memorable is Fiennes, whose apologist rants about the
divinity of gambling transform his reedy, nervous character into a
spiritual dynamo.
--Noel Murray
Full Length Reviews
Oscar and Lucinda 
Oscar and Lucinda 
Oscar and Lucinda 
Oscar and Lucinda 
Capsule Reviews
Oscar and Lucinda 
Oscar and Lucinda 
Other Films by Gillian Armstrong
Little Women 
Film Vault Suggested Links
Ever After: A Cinderella Story 
Beautiful Thing 
Carried Away 
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