Out to Sea

Nashville Scene

DIRECTED BY: Martha Coolidge

REVIEWED: 07-21-97

They don't make formula pictures like they used to. Back in the days of the studio system, Hollywood cranked out scores of "programmers" per year, movies with no prestige and no gimmicks, just to have product for their screens. But because the studios owned the actors as well as the theater chains, these dime-a-dozen pictures had star power. Today, watching any matinee on a classic movie channel is an intoxicating experience. To see Ginger Rogers or Dana Andrews in some forgettable role, acting out a hackneyed plot, is to see what made movies great: the verve and craft of professionals who never, ever phoned it in.

Out to Sea is a throwback to the old days. Its plot wouldn't fill one-third of a typical Love Boat hour: Luckless gambler (Walter Matthau) persuades mourning widower (Jack Lemmon) to go on a cruise to meet wealthy women. The catch, and the comedy hook: They have to act as dance hosts. (Do cruise ships still have such anachronisms?) While Matthau flashes imaginary wealth to impress Texas heiress Dyan Cannon, Lemmon pretends he's a doctor for widow Gloria De Haven. Of course, their lies catch up with them in the second act and all is forgiven in the third. Nobody's going to sit through this movie for the suspense.

The thin plot only reveals what a stellar cast of entertainers has been assembled here. Matthau's comic timing is inimitable: Deliberate, straight-faced, emphatic, his work here reminded me of the hilarious '70s novelty Hopscotch. Lemmon's stuttering shtick has been wearing thin for years, but his character has some touching moments, and his relationship with De Haven is sweet. Brent Spiner wreaks havoc in the inspired role of a megalomaniac cruise director who fancies himself a Vegas lounge act. Around the fringes, old hoofers Donald O'Connor, Hal Linden, and Elaine Stritch are a delight to watch, and they look like they're having a terrific time. But couldn't the budget have stretched to include just one real production number?

Formula pictures are different today because they have to pretend they aren't formula pictures. Soaring production costs and huge star salaries mean that the ordinary story can't be expected simply to fill a program--it has to be sold as the movie event of the year. With the financial monkey on the back of every film, it's amazing there's any joy on the screen. A movie like Out to Sea may be trite and full of filler, but it conveys that bygone spirit of entertainment. The stars seem to have decided to make a movie the same way Garland and Rooney used to decide to put on a show. If the tickets cost more than in the studio system's glory days, consider it a surcharge for time travel, and well worth the price.

--Donna Bowman

Full Length Reviews
Out to Sea

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