They don't make formula pictures like they used to. Back in the days of
the studio system, Hollywood cranked out scores of "programmers" per year,
movies with no prestige and no gimmicks, just to have product for their
screens. But because the studios owned the actors as well as the theater
chains, these dime-a-dozen pictures had star power. Today, watching any
matinee on a classic movie channel is an intoxicating experience. To see
Ginger Rogers or Dana Andrews in some forgettable role, acting out a
hackneyed plot, is to see what made movies great: the verve and craft of
professionals who never, ever phoned it in.
Out to Sea is a throwback to the old days. Its plot wouldn't fill
one-third of a typical Love Boat hour: Luckless gambler (Walter
Matthau) persuades mourning widower (Jack Lemmon) to go on a cruise to meet
wealthy women. The catch, and the comedy hook: They have to act as dance
hosts. (Do cruise ships still have such anachronisms?) While Matthau
flashes imaginary wealth to impress Texas heiress Dyan Cannon, Lemmon
pretends he's a doctor for widow Gloria De Haven. Of course, their lies
catch up with them in the second act and all is forgiven in the third.
Nobody's going to sit through this movie for the suspense.
The thin plot only reveals what a stellar cast of entertainers has been
assembled here. Matthau's comic timing is inimitable: Deliberate,
straight-faced, emphatic, his work here reminded me of the hilarious '70s
novelty Hopscotch. Lemmon's stuttering shtick has been wearing thin
for years, but his character has some touching moments, and his
relationship with De Haven is sweet. Brent Spiner wreaks havoc in the
inspired role of a megalomaniac cruise director who fancies himself a Vegas
lounge act. Around the fringes, old hoofers Donald O'Connor, Hal Linden,
and Elaine Stritch are a delight to watch, and they look like they're
having a terrific time. But couldn't the budget have stretched to include
just one real production number?
Formula pictures are different today because they have to pretend they
aren't formula pictures. Soaring production costs and huge star salaries
mean that the ordinary story can't be expected simply to fill a program--it
has to be sold as the movie event of the year. With the financial monkey on
the back of every film, it's amazing there's any joy on the screen. A movie
like Out to Sea may be trite and full of filler, but it conveys that
bygone spirit of entertainment. The stars seem to have decided to make a
movie the same way Garland and Rooney used to decide to put on a show. If
the tickets cost more than in the studio system's glory days, consider it a
surcharge for time travel, and well worth the price.
--Donna Bowman
Full Length Reviews
Out to Sea 
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