The advertising for Ravenous has tried to position the film in
the comic-horror genre--the lucrative home of Scream and The
Faculty. Director Antonia Bird interrupts the cannibalistic gore every
so often with a speech about America's carnivorous, imperialist appetites,
as if she's making a satiric allegory. But neither the comic label nor the
social indictments really fit. Ravenous is a straight-up horror film
at heart, and it counts as a success in that dying genre, thanks to a
nimble plotline and two well-pitched performances by its leads.
Guy Pearce, the Aussie actor who was a potent force in L.A.
Confidential, plays John Boyd, a soldier in the Spanish-American War
who backed into heroism by playing dead. For his tainted victory, he's sent
to a remote fort in the Sierra Nevada, where he finds Colonel Hart (Jeffrey
Jones) presiding over a handful of dirty misfits. One day a half-frozen man
calling himself Colqhoun (Robert Carlyle) stumbles out of the mountains
with a tale of a lost wagon train and the extreme measures he and his
starving companions took to survive. He's acquired a taste for human flesh
that gives him superhuman powers of healing and survival, and as he
disposes of the garrison, it's up to Boyd to resist his cult-like
appeal.
Carlyle, who bolstered The Full Monty with an understated,
humanistic comic performance, revels in the villainous possibilities of the
movie's head chef. But he never goes overboard into screaming, eye-rolling,
Gary Oldman territory, preferring to play the role as a charismatic but
reasonable gourmand. Although Carlyle has the showy part and gets most of
the good lines, it's Pearce who makes the film work. The protagonist of a
horror film is mainly required for reaction shots, and most actors run out
of interesting ways to look terrified pretty quickly. But Pearce finds
divisions and subdivisions of fear, revulsion, weariness, and pain, and he
expresses them all without histrionics.
While fine acting keeps the film watchable, a well-crafted story
structure keeps it moving right along. Sure, there's the usual horror-movie
flab: Efforts to make the eventual victims interesting are wasted, the big
bloodbath climax can't be sustained, and the less said about David
Arquette, the better. But it's surprising how effective a pure genre movie
can be when some stellar elements get plugged into the formula. Ignore the
superfluous messages, and feast on some old-fashioned meat-and-potatoes
horror.