Given the massive level of hype generated by DreamWorks Studios for
its previous animated features, Antz and The Prince of Egypt,
the relative lack of buzz for its latest venture, The Road to El
Dorado, is more than a little suspicious. After all, the film features
spectacularly detailed animation--with the particular attention to facial
expression and body language that is DreamWorks' signature--so it's clear
that the studio spent plenty of money. The Road to El Dorado also
has funny voice performances by the likes of Kevin Kline, Kenneth Branagh,
and Rosie Perez, and it has a no-doubt-pricey song score by The Lion
King team of Elton John and Tim Rice. Why then does the movie feel so
shuffled-off, so second-tier?
It all goes back to two lessons that Hollywood should've learned
last decade (if not sooner). The first is that you don't always get what
you pay for; in this case, that applies to the John-Rice musical numbers,
which (aside from the soaring title track) are unmemorable and frequently
run The Road to El Dorado into a dead end. The second lesson is that
the script is all, especially when dealing with the rigid assembly line of
animation development, where there's no such thing as a reshoot.
In fact, if you're looking for what's wrong with The Road to El
Dorado, start with its medium. The movie is set up as a simple
adventure story, wherein two Spanish con men (voiced by Branagh and Kline)
happen upon the fabled lost city of gold and are treated as gods by the
natives. The story is meant to ape The Man Who Would Be King and the
Hope/Crosby "Road" pictures, with a dollop of smart-alecky Looney Tunes
slapstick.
But what made Looney Tunes work, to a great extent, was the flat,
non-Disneyfied look of the cartoon artwork. The more elaborate the
animation--and DreamWorks is more elaborate than Disney at this point--the
less freedom the audience feels to cut loose. Comedy isn't meant to be
pretty, and talented animators with a gift for gilding shouldn't be
spending years of their lives on light entertainment. Leave that to the TV
people, who can give delightful animated shows like The Powerpuff
Girls and Spongebob Squarepants the kind of gutter energy that
this kind of cartoon needs.
Is The Road to El Dorado entertaining? Yes, by and large. Kline
and Branagh make a great, theatrical comedy team--even if their sensuous
romping through the jungle reminds one of Mark Rappaport's brilliant
dissection of the homosexual subtext to Bob Hope and Bing Crosby's
on-screen relationship. And there are several breathtaking action
sequences, although the movie bogs down in El Dorado itself, where the
natives' reaction to our heroes never quite makes sense. It's a good
junk-food movie. But when good junk food is being served by four-star
chefs, one can't help but feel a little cheated.