A chop-socky flick in the middle of the cinematic arid season
between Christmas and Memorial Day is like the first robin of spring. Soon,
the flying kicks and punches promise, there will be nonstop action on the
movie screens of America! Unfortunately, Romeo Must Die, the
harbinger of adrenaline rushes to come, only lets us bask in its summer sun
for a few glorious moments. Weighed down with a fatal excess of plot and
seriousness, this vehicle starring Hong Kong action hero Jet Li delivers
all-too-short scenes of kung fu mayhem.
It's been a couple of decades since martial arts collided briefly and
memorably with the blaxploitation genre in films like Three the Hard
Way and Black Belt Jones. The kicked-up nostalgia that has led
to the current craze for Hong Kong action has finally caught up with this
interracial flava: With its Shakespearean hook, Romeo Must Die
centers on the romance between the daughter of a black gangster and the son
of a Chinese mob boss. Han (Jet Li) busts out of a Hong Kong prison after
his brother is killed and makes his way to San Francisco to find the perps.
While he's charming Trish O'Day (soulstress Aaliyah), her dad Isaac (Delroy
Lindo) is angling to go legit by selling waterfront property to a would-be
NFL owner. But Han's dad Ch'u (Henry O) is about to precipitate a gang war
over the murders of each family's scion.
Bringing an NFL expansion franchise to Oakland--apparently the Raiders
have moved out again--is an unlikely plot point for a Jet Li picture, and
director Andrzej Bartkowiak makes the most of the juxtaposition. In one
memorable sequence, Han learns to play football in the park with some of
Isaac's henchmen. But the football plot is far too complicated, involving a
third "gang" of white businessmen led by Edoardo Ballerini. All the talking
that it takes to explain what's going on, let alone make us care, cuts the
fighting window down to the bare minimum.
What fighting remains, however, is choice--both traditional kung fu set
pieces and high-flying "wire fu" battles royal. Bartkowiak, a veteran
cinematographer, brings some jazzy new tricks to the table, notably an
animated "X-ray" view of what's happening to the fighters' innards. It's
also amusing to watch how the director handles Li's severe language
difficulties. The film only contains a couple of scenes where Li and
another character exchange dialogue while in the same shot. The bulk of
Li's lines are fed to him off-camera while he's working alone in
close-up.
Romeo Must Die is really Li's first Hollywood starring role; his
previous appearance in Lethal Weapon IV was a supporting turn, and
last year's Black Mask was a hastily repackaged Hong Kong film
produced by the inimitable Tsui Hark. Like Chow Yun Fat before him, Li
needs to improve his English if he wants to break into the American
big-time. But when he's allowed to speak with his fists and feet, he's as
welcome as the flowers in May.