This flick received this year's Academy
Award for best foreign picture, and it has all the banal mediocrity
and pre-fab pathos we've come to expect from the Academy. Antonia
is an old, dying farm woman, and the plot is a Cliff Notes version
of the highlights of her life, given to us swiftly but succinctly,
presumably so we may experience sorrow when she dies. The film
produces so many rapidly growing babies that it's hard to feel
connected to any of the characters, and the plodding narration
keeps us further at a distance. This is the kind of ground best
covered in novels, and the filmmaker struggles without much success
to make her very long story visually dynamic. The occasional jolt
of magic realism just makes the whole project more derivative
and embarrassing.
--Stacey Richter
Other Films by Marleen Gorris
Mrs. Dalloway 
Film Vault Suggested Links
I Stand Alone 
Hollow Reed 
Beyond Silence 
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