One of the best documentaries ever made,
D.A. Pennebaker's Don't Look Back follows 23-year-old Bob
Dylan on his 1965 tour of England. Pennebaker helped invent the
unobtrusive, cinema verité style that's become the common
visual grammar of documentaries, but when this film was released
in 1967 it was daring and new. Toting a 16mm black-and-white news
camera, Pennebaker trails Dylan backstage, at concerts, through
parties. Dylan eyes the camera with a suspicion the MTV generation
can only regard with overwhelming nostalgia. The famous opening
sequence alone is a study in self-conscious cool, as Dylan stands
in an alley, flipping through a stack of cards printed with (some
of) the lyrics to Subterranean Homesick Blues, blatantly
looking off camera for instructions, with an expression on his
face that says when is this going to be over? (A rabbinical
Allen Ginsberg lurks in the background.) This is the only part
of the film that's staged; the rest has a spontaneous feel, though
Dylan continues to be a bit of a cipher, alternately generous
and mean-spirited as he enthusiastically plays bits of songs he
loves for friends, then enthusiastically makes fun of people less
smart or less cool than he is. Pennebaker takes it all in without
being overwhelmed by judgment or reverence. The result is an astonishing,
potent portrait of the artist as a young man.
--Richter
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