The structuring device of this
French film is not a narrative but a location. The apartment that
young transients Isa and Marie share is the site of the beginning
and end of their relationship; it serves as their protection from
the patriarchal world they have difficulty navigating, and rejects
them when that realm is invited inside. Focusing on mundane events
such as job hunting and dish washing proves effective in revealing
well-rounded protagonists and the friendship that thrives within
the safe haven they've found. In stark contrast, the male characters
are merely devices to portray these women. Unfortunately, the
film's second half is dominated by Marie's dramatic and unbelievable
emotional shift, as she enters a simplistically vile relationship
and follows it to a clichéd conclusion.
--Polly Higgins
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