It goes like this: A white man discovers
he's actually the son of a black woman and that he has a brother
(black) in the big city. He goes to the city to meet his brother.
Against insurmountable odds (you know, race) they strike up a
warm relationship. Because we're all just people inside! As
dumb, implausible and potentially offensive as this plot sounds,
it ends up being a kind of charming little tale of friendship
between the two brothers, due mostly to the skill and warmth of
Robert Duvall andJames Earl Jones. I'm convinced Duvall is one
of our most talented living film actors--early in this movie,
before the plot chugs into absurdity, he's just amazing. It's
a little exhausting though, the way Hollywood movies have reduced
the questions of class and race in America to a simple plot device.
Oh well, what did we expect?
--Stacey Richter
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