Screenwriter William Goldman,
who wrote Butch Cassidy and the Sundance Kid, All the
President's Men and The Stepford Wives, among others,
proves once again that the nineties will never be as good as the
seventies, movie-wise. This "true" tale about great
white hunters protecting the natives from a couple of man-eating
lions endorses the standard myopic myths about colonialism, manhood,
hunting, etc. Val Kilmer plays John Patterson, an engineer who
has been sent to the African savanna to build a bridge that will
expand the ivory trade. He speaks of Africa as if it were a town,
rather than a continent ("I love Africa!"), and sets
about proving his manhood and protecting his men (various racial
stereotypes, mitigated somewhat by one or two heroic black characters)
against a pair of man-eating lions. A great hunter, Charles Remington
(Michael Douglas) comes to show him how it's done. The two men
bond, hunt, kill etc. Remington remarks with revulsion that the
pair of unnatural lions "are doing it for pleasure,"
i.e., killing, but the movie doesn't have the intelligence to
draw the connection between the lion's pleasure in killing and
man's pleasure in hunting, colonization and dominance. After a
while, it's hard to not root for the lions. At least they're resisting
the conquest of their domain.
--Stacey Richter
Other Films by Stephen Hopkins
Lost in Space 
Film Vault Suggested Links
Deliverance 
End of Days 
The Island of Dr. Moreau 
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