If only Ethan Hawke could have been
surgically removed from the universe, this film would have fallen
just slightly short of excellence. As it is, it's still pretty
decent. DeNiro has a cameo that shows he can still fill up the
screen, and Gwyneth Paltrow is a surprisingly good actor for someone
with no visible body fat. The real star of this film, though,
is Director of Photography Emanuel Lubezki. In the last 20 years,
cinematographers seem to have become universally technically competent,
but they squander their skills on difficult-to-shoot explosions
and special effects. Lubezki, on the other hand, uses his considerable
talents in the service of this well-designed genre romance, and
in the process produces one of the longest, and most complicated,
unbroken tracking shots ever filmed: the camera follows artist
Finnegan Bell (Hawke) through a revolving door, into a black tie
party, around the room, weaving between guests, until he finds
his beloved Estrella (Gwyneth Paltrow), who walks away from him,
and, still without cutting, he chases her out the revolving doors,
down the street, into a restaurant, where she is seated at the
very back with her fiancee (Hank Azaria). Still without a cut
(except perhaps a well-hidden one as Hawke walks past a column),
Finnegan takes her hand, they dance, walk out of the restaurant,
into the street, and the camera rises in a crane shot as they
run down the sidewalk and out of the frame. Now if only Ethan
Hawke could be convinced to give up acting, writing, and looking
pouty.
--DiGiovanna
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