ON A FAIRLY regular basis, I run into people who identify
me as someone who hates all movies and writes only nasty reviews.
This isn't true: I love movies! Especially good ones. It's not
my fault that most of them are terrible. But in the interest of
good karma, positive vibrations and gentleness, I've decided to
emphasize only the praiseworthy aspects of Gridlock'd,
an imaginative tour de force of cutting-edge cinema.
Gridlock'd stars Tupak Shakur and Tim Roth as buddies
Spoon and Stretch, two witty, likable junkies trying to kick their
habit in the down-and-dirty inner city. The film opens on New
Year's Eve, when Tupak's girlfriend Cookie (Thandie Newton) has
accidentally overdosed. The two must get her to the hospital,
a difficult task in the mostly black neighborhood where every
other car is a cab, but none of them will stop for Tupak. This
dramatic opening had me on the edge of my seat! After finally
getting her to the hospital, the guys resolve to kick the habit.
It is, they note several times, a New Year's resolution. While
Cookie recovers, Spoon and Stretch battle one bureaucratic agency
after another (pausing only to shoot yet more dope), in a Kafka-esque
battle to get themselves into rehab.
Writer/director Vondie Curtis-Hall, an actor who's been in everything
from Broken Arrow to the sorely missed Cop Rock,
has combined elements of typical gangster/drug movies and art-house
narrative license in Gridlock'd, his directorial debut.
Imagine, if you will, Trainspotting transported to the
'hood, but without the unintelligible Scottish accents. Or without
the cleverness of Trainspotting, for that matter--but who
wants to watch clever junkies? It's unrealistic. Instead of being
"clever," Curtis-Hall simply switches back and forth
from gangster movie conventions to art-house movie conventions
(with a few flashbacks of Cookie thrown in): The boys, for example,
conveniently stumble into a drug-related war between their own
dealer and his supplier, a very bad man named D-Reper (played
by Vondie Curtis-Hall himself). But even while Spoon and Stretch
are being chased by bad men in nice cars, they continue their
endless, hopeless, yet fierce fight against government bureaucracy.
As Cookie says, in her jazz-poetry act: "Life is a traffic
jam."
And what a traffic jam! This endless bureaucracy had me on the
edge of my seat! Would Spoon and Stretch get the administrative
help they needed to kick drugs? Or would they be overcome by the
indifference around them and slide back, ever deeper, into the
cycle of addiction? Anyone who has ever waited in line at the
Department of Motor Vehicles will sympathize with this dilemma.
And, if bureaucracy isn't your idea of excitement, occasional
bouts of gunplay, confrontations with the police, and a near-altercation
with a hot-dog vendor keep the ball rolling. Wherever Spoon and
Stretch go, they must confront the ultimate indignity: They are
asked to put out their cigarettes. Gridlock'd is a roller
coaster of a movie, a rollicking ride on the wrong side of the
tracks. Curtis-Hall's gripping drama will keep you pinned to the
edge of your seat.
Shakur (who was shot dead only recently) manages to convey great
likability and charm, even though his character is a thief and
a drug addict. Shakur was a very handsome man and he's extremely
pleasant to watch on screen; it's poignant to contemplate that
we'll never see him again. Roth, as Stretch, isn't any more annoying
in Gridlock'd than he usually is. Thandie Newton, who plays
Cookie, is achingly beautiful, has a wonderful accent, and isn't
a bit shy about taking off her clothing for the camera. What a
cast! What a movie!
And while we're at it, let's give a big hand to the crew, the
forgotten folks of film production, including: Sarah Auerswald,
additional script supervisor--second unit; Tom Bender, smoke special
effects; Joe Camp, animal trainer; Diane Dragoo Duarte, chef's
helper; Derek Jensen, best boy grip--second unit; and Ronald Beale,
chiropractor. I'm sure these people all did a really great job.