During the 1800s, a radical sect of Swedish
Christians decided to move to Jerusalem to prepare for the Second
Coming of Christ. Okay, so it doesn't sound like a rip-roaring
good time at the movies, but it was much better than I expected,
even with a three-hour running time and freezing Loft air-conditioning.
Director Bille August (Smilla's Sense of Snow) dramatizes
this historical footnote in the usual way: With sober pacing,
he chronologically details the lives of a handful of agrarian
Swedes. But the story and setting are not usual, and once you
settle into the movie's languorous rhythm, a sadly meditative
sensation takes hold. Cleanly divided between Sweden and Jerusalem,
the film provides a haunting glimpse into the love lives, moral
struggles, cultural customs and religious fervor (in that order)
of a group of people about whom I'd otherwise never have thought
twice. The impeccably subtle actors, who are mostly internationally
unknown save for Olympia Dukakis and the great Max Von Sydow,
constantly reveal hints of repression and suffering, so when they
finally crack you can feel it. (The movie definitely has emotional
after effects.) August layers it all with only the faintest--and
therefore effective--touches of magical realism, perhaps reacting
to a lesson he learned from his laughable House of Spirits.
--Zachary Woodruff
Capsule Reviews
Jerusalem 
Other Films by Bille August
Les Miserables 
Smilla's Sense of Snow 
Film Vault Suggested Links
My Mother's Courage 
Les Milles 
For Ever Mozart 
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