This is one fellowdrama
where the characters thankfully don't whine about relationships
gone awry. In fact, women are pretty much absent from this world,
which is certainly preferable to creating female characters for
scenery or to deflect attention from possible homoerotic situations.
The enjoyably convoluted plot revolves around Eddie (Nick Moran)
and his need to come up with 500,000 pounds to pay off a gambling
debt. Various thugs start stealing money from one another, and
Eddie and his three buddies attempt to be the dough's final recipients.
The dialogue is the weakest link here, as this British film relies
heavily upon the word fuck as a substitute for character-revealing,
thought-provoking conversation. But Lock, Stock is noteworthy
and satisfying largely in its privileging of style over story;
saturated colors, camera technique and an obtrusive soundtrack
create a fun tone that vacillates between porn and music video.
Confrontations between the criminal factions offer the money shots
of ejaculatory gunfire and plunging knives, and several sequences
harmonize image with sound in a manner reminiscent of such soundtrack
films as A Hard Day's Night.
--Higgins
Interviews
Lock, Stock and Two Smoking Barrels 
Capsule Reviews
Lock, Stock and Two Smoking Barrels 
Film Vault Suggested Links
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