A glorified made-for-TV movie, Nodding-off
Hill employs a mind-numbing pace and uncomfortable story-stretching
conventions. For more than two hours, the simple premise of ordinary
guy William (Hugh Grant) falling for very beautiful and very famous
movie star Anna (Julia Roberts) is painstakingly told through
a series of contrived scenes and an abundance of ridiculous montage
sequences where songs are substituted for actual character development.
For example, "Ain't No Sunshine" plays while William
(sad? confused? hungry?) deals with Anna's absence over a year's
time. The result is a lack of chemistry between the leads and
a sense that William falls in love merely because Anna is pretty,
and ends up in more scenes with him than anyone else. It's a welcome
change that Rotting Hell is told largely from a male perspective,
as William pines for the self-involved Anna. Further adding to
this genre piece is the continuance of Roberts' persona, from
My Best Friend's Wedding, of the romantic comedy anti-heroine
who rejects stereotypically feminine characteristics for more
masculine ones. Eventually, though, the tacked-on "happy"
ending forces both William and Anna into traditional and dissatisfying
roles.
--Poly Higgins
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Film Vault Suggested Links
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