John Waters may not be as funny and gross as he
was in the old days, but at least you can hear the dialogue in
his movies now. Pecker weds a dash of Water's campy old
style to a heartwarming story about a young photographer (they
call him Pecker) who makes it big in the New York art world. No
one is more surprised at this than Pecker himself (Edward Furlong),
a clean-scrubbed young man with an eccentric family. Mom (Mary
Kay Place) runs a thrift shop, for example, and grandma has a
special "talking Mary" figurine. Those slick New York
scenesters, buzzing around in their black turtlenecks, try to
mold Pecker into their flavor-of-the-moment art star. But Pecker
has his own ideas of how to unleash the style of Baltimore upon
the world. Though a John Water's movie today is not as shocking
as it was in the '70s, in Pecker you can still find plenty
of his inimitable and wonderfully offensive panache.
--Richter
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