In the early 1920s, a small, prosperous black-owned
and -operated town was brutally wiped out by an angry mob of whites
from next door. This true story, which only came to light recently
when the few remaining survivors finally broke their silence,
would seem a powerful statement of prejudice and mob-rule hatred
against well-adjusted, self-empowered African Americans. But in
the hands of director John Singleton, it instead descends disappointingly
into vacuous, hokey Hollywoodism. There are moments, especially
in the first half, of anxiety and outrage, and credible acting
from Ving Rhames and Jon Voight, among others; but Singleton and
his screenwriters veer wildly from known accounts in order to
make the film "marketable," mixing in elements of westerns,
after-school special sermonizing, and unlikely (however welcome)
moments of good fortune on which the actual survivors almost certainly
could not have counted. Care and effort have been put into this
film. It's a shame Singleton was unable to trust the material
to stand on its own.
--Piers Marchant
Other Films by John Singleton
Higher Learning 
Film Vault Suggested Links
Quiz Show 
Hamlet 
The Messenger: The Story of Joan of Arc 
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