A movie that's both grim and oddly feel-good,
this low-key, independent production has a terrific script and
an even better cast. Billy Bob Thorton plays Karl, a man who,
as a child, murdered two people with a big knife; 17 years later
he's "well," according to the state institution where
he's been warehoused, and is summarily ejected into the big, wide
world. He meets up with kind strangers, including a little boy
(Lucas Black), who adopts him like a lost puppy and takes him
home to live in his mother's garage. The mother's boyfriend (Dwight
Yoakam) is a prick, though, and soon Karl finds himself in the
middle of a domestic drama that seems to remind him of his own
twisted childhood. Sharp, understated performances from J.T. Walsh
(who's really terrifying as a sex offender), John Ritter, and
Robert Duvall round out the movie, but it's really Thorton's performance
as the practical, slow-witted, vaguely monstrous Karl that helps
make this one of the best movies of 1996.
--Stacey Richter
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