In Hollywood, if a sequel only brings back
half of the original's stars, it's called a "spin off."
If it brings back half the original's stars and none of its suspense,
it's called U.S. Marshals. Tommy Lee Jones stars as the
same squinty, no-bullshit character he played in The Fugitive.
But because Harrison Ford was busy working on a movie about a
president armed only with a bullwhip who commandeers a spacecraft
in order to save an Amish community from IRA assassins, now Wesley
Snipes is the dude on the run. After a big, noisy plane crash,
Snipes escapes and soon enters the Phonebooth of Expository Dialogue,
where we learn: (1) He's innocent; (2) he has top-secret info
and is wanted dead; and (3) he's not nearly as fun to root for
as Ford. Then Robert Downey, Jr. shows up as a federal agent with
no sense of humor, and you know what that means--he's the dreaded
two-armed man! As for poor Jones, he tries hard, but needs more
to work with than the jumble of suitcase trades, gun switches
and likable- good- guys- who- look- like- Judge- Reinhold- so- you- know- they're- dead- meat that the film supplies. As a result, U.S. Marshals maintains
the peculiar distinction of being impossible to follow yet completely
predictable.
--Woodruff
Full Length Reviews
U.S. Marshals 
U.S. Marshals 
U.S. Marshals 
Capsule Reviews
U.S. Marshals 
Other Films by Stuart Baird
Executive Decision 
Film Vault Suggested Links
The Bone Collector 
The Phantom 
Smilla's Sense of Snow 
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