JULIA STILES, WHO recently appeared in 10 Things I Hate
About You and the miniseries The '60s, should be a
big star by the end of the year, at which time the producers of
Wicked will be kicking themselves for not keeping this film in the
can for a wider release to capitalize on her success.
Instead, they've gone the festival route. This works out well
for us dusty Tucsonans, as it means we get a peek at it before
everyone else on earth is finished talking about it.
Wicked is delightfully derivative: its style, lighting,
subject and especially its penchant for cold, distant camera work
are so Hitchcockian that it could have been directed by Brian
DePalma. (The alternate joke here is "so like a Hitchcock
film that Gus Van Sant is planning a shot-for-shot remake,"
but I'm tired of people kicking Gus Van Sant, dammit.)
Beginning with a scene ripped off from Psycho (a single
woman in a tailored dress driving to ominous music), Wicked's
plot begins in one of those expensive planned communities surrounded
by a golf course and populated by people who have become so understimulated
by green grass and no tides that they either turn into robots
or swingers.
Ben Christianson and his wife Karen have both found alternate
love partners to break up the monotony of their Danish modern
décor, with Karen opting for trashy neighbor Lawson Smith,
and Ben trashily opting for their Danish au pair. But neither
Ben nor Karen have much personality, having ceded that function
to their daughter Ellie, who makes Electra seem like one of King
Lear's less savory daughters. While loving dad, Ellie hates Mommy
so much that when Mommy is mysteriously murdered after (a) telling
dad that she's leaving him, (b) telling her dangerous boyfriend
that she's dumping him, and (c) forgetting to bring cookies to
the neighborhood meeting, Ellie is still the most likely suspect.
But it wouldn't be a Hitchcockian mystery without the other possibilities,
and in an archly comic role as the police investigator, Michael
Parks (making his 62nd film appearance, but only his seventh turn
as a police officer) makes neighbor Lawson Smith his top suspect.
When asked "Do you think it was him?" by a junior officer,
Parks deadpans, "Him...or somebody else."
In spite of Parks' fun and campy performance, the film really
belongs to Stiles, who plays the Hitchcock femme fatale to a tee.
After Mommy dies, teenager Ellie starts to wear her dresses and
make-up, cooks for dad, fusses over him, and sleeps beside him.
Sleeping turns to other pursuits as Ellie follows her dream of
having daddy to herself, and littler sister Inger, though only
10, starts to grow a bit suspicious, in more ways than one.
Still, to give away too much would ruin the fun, so it's best
to note that there are a dozen more plot twists waiting, and that
Wicked, while perhaps too professional and slick for the
festival circuit, might just be the highlight of this year's Arizona
International.