This slow moving film follows four couples
through a largely uneventful day in an English coastal town. A
mother and her adult daughter walk the icy beaches arguing about
everything; two schoolboys smoke cigarettes and play with fire,
two elderly women attend a funeral, and a teenage girl taunts
and then falls in love with a teenage boy. Mostly, the appeal
of this film is in its cinematography. Lensman Seamus McGarvey
has a sense of composition that could only be compared to John
Toland's. Each shot has the balance and sensitivity of an Ansel
Adams photograph, with objects interacting by virtue of shape
and position to produce pleasing geometries. Unfortunately, the
interactions of the characters are often much less interesting,
though the story of the teenagers finding love is compelling--if
frustratingly limited and interrupted by the other three scenarios.
--James DiGiovanna
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The Winter Guest 
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