Okay, let's clear this up: "You've
got mail" is not grammatically correct. It is, in fact, redundant:
it should be "You have mail," or even just "You've
mail," if you want to give it a 19th-century feel. It's just
the absence of 19th-century sensibilities that bugged me about
this cute and intermittently funny romantic comedy. It tells the
story of a petit bourgeois bookstore owner (Meg Ryan, who's
maintained her pixie-like looks for far longer than should be
naturally possible) who is driven out of business by a grand
bourgeois owner of a chain of bookstores (Tom Hanks, who is
either wearing a toupee or has an atrocious dye job, or both).
Think they'll fall in love? While there's lots of sentimental
whining about the loss of small businesses, I wondered why anyone
should care when the exploited workers were as far removed from
the means of production under one boss as the other. It's the
hallmark of late 20th-century capitalism that production facilities
have been moved away from the politically sensitized "first
world" and into the emerging economies, where 19th-century
conditions are not yet considered appalling and inhuman, and where
child labor and cramped, dirty factories are far from the eyes
of concerned do-gooders. Which isn't to say that a lot of people
won't like You've Got Mail; if they liked Nora Ephron's
other films (When Harry Met Sally and They Made Unchallenging
Witty Comments for 90 Minutes Before Falling in Love, and
Sleepless in a Very Cleaned-Up, Middle of the Road Version
of Seattle). If so, then they'll have to like this one, as
it's a virtual carbon copy of those earlier efforts...but why
not read Volume I of Karl Marx's Kapital instead? It's
informative and stars Meg Ryan as the bookish but sexy...oh, never
mind.
--DiGiovanna
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You've Got Mail 
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You've Got Mail 
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Michael 
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